Going today.

Category: Uncategorized
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Intruders
“He WAS your friend, NOW he’s a doorstop.”
Fans of “Panic Room” may really like this one. A group of under thirtysomething males break into the protagonist’s home on a tip there is cash there. She surprises them and delivers some top-shelf girl kickass.

as Anna Rook
as Dan Cooper
as J.P. Henson
Drama, Horror, Thriller
Rated R
1h 30minThis is a girl kicks ass movie but there’s is another element. Madness keeps her in the house where she has remained ever “since daddy died” which we are given no exact time on. She nursed her cancer stricken adult brother in the house for years until he died and then even at his funeral she still will not leave the house. So, her madness is an extra element not always seen in “girl kickass” movies.
Beth Riesgraf plays Anna Rook, the heroine/protagonist. She is well known for her role on “Leverage” which I must admit, I now want to see more of. She’s very talent with a ton of potential. This is an excellent revenge type role but it wasn’t received well by the critics. I hope Beth Riesgraf gets roles that get her more exposure, she’s very talented. By the way, if you remember Rory Culkin from “Signs” as a child actor, he reappears in this film as the delivery guy. Buy, his look has changed.
I’d say this film is mostly a thriller and less horror that the posters promote it as. We do find out some horror elements exist like the frozen hand in the freezer and the makeshift dungeon in the basement. Still, this is a thriller with a fairly decent script that holds the viewer’s attention. It has a strong concluding scene that I fond very creative. Overall, I highly recommend it. As is my common theme lately in my reviews, you can’t always trust Rotten Tomatoes. This is a creative and fun thriller with an added mental illness factor. It spent a little too much time developing the relationship with her dying brother and I found that cumbersome. Still, I enjoyed it and highly recommend it. Now I’m off to watch “leverage.”
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Edge of Tomorrow (2014)
I have to tell you about this movie, it’s a breath of fresh air in a 2014 Summer of mostly dull movies. This one flies above the rest. It’s concept is not unique but if you see this movie, you’ll be talking about it for days. It’s a bit like Groundhog day in concept. By that I mean, the same way Bill Murray’s character has to keep reliving the same day over and over again until he gets it right. In this case, the conflict is fighting aliens, and scary ones at that.We see a funny Tom Cruise for a change. I recently saw “Oblivion,” an example of his serious sci-fi side in an excellent film.
He was the rough and tough sci-fi action hero. In “Edge of Tomorrow” it’s a lot of that but with laugh-a-minute deadpan humor thrown into the mix. Much of this humor consists of Emily Blunt beating him to a pulp to train him day after repeated day: hence the title “Edge of Tomorrow.” I liked this movie for many reasons and therefore highly recommend it. I am going to try and avoid spoilers on this blog because I know a lot of people like to leave the movie a mystery as they watch it unfold. Suffice it to say, the critics of all the major movie sites say the same thing as I.
Have you seen this film? What are your thoughts?
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‘Wildlike’ – A Sleepy Hiking Film of Surprising Suspense
The indie film Wildlike is a hidden gem from 2015 that was recently added to Netflix. The director, Frank Hall Green, uses the Alaskan wilderness as backdrop for a suspenseful story. Starring in Wildlike are Bruce Greenwood (Star Trek) and Ella Purnell (Maleficent) who make this film a unique diamond in the rough.
Ella Purnell stars as Mackenzie, a 14 year old girl who’s been abandoned by her drug addicted mother. While in the care of her uncle, she is sexually abused, and flees to a nearby Alaskan hiking trail. That’s where she crosses path with Bruce Greenwood’s character, Rene.Bruce Greenwood is the most recognizable star in the movie and he does a magnificent job trying to understand and help the troubled teen. He’s been in films as big as Star Trek and thankfully for us fans he accepted this role even though it was an independent film. The friendship between Mackenzie and Rene is fascinating and appears it could save her. Watching it develop is one of the best parts of the film though so I won’t describe it more than that.
Mackenzie is an interesting and powerful character as well. Not many of us know what it would be like as a 14 year old girl who was sexually molested. Some will say she should have told the police but others could argue the police might
believe the aggressor, making a return to him inevitable. Ella Purnell dons the signature troubled-teen mascara that we see gradually reduced through the film as she begins to trust Rene. She shows us the fear involved for victims. She is a survivor and sticks close to him. Rene has profound reasons for being on the trail as well. The trail could be a metaphor that we all have our own pain to walk off. Both actors do a great job in their hiking dialog.The suspense starts in the form of a bear on the trail and then culminates with the abusive uncle stalking Mackenzie. When Rene and the uncle finally meet, some may hope the uncle gets beaten to a pulp. They don’t show that. Instead, as with other themes in the movie, they infer it and the viewer is left to decide for her/himself.
This film has done quite well for its first time director, Frank Hall Green. It has been invited to over 75 film festivals and has won 16 Best Film awards. It’s nice to see such an understated film that allows the viewer to come to her/his own conclusions has done so well. It’s also understated and tasteful in the way that ordinarily graphic scenes like the sexual abuse is not shown but rather inferred. This is a stylistic choice of Green. By way of trivia, the IMDB page for the movie states that Frank Hall Green hiked in the exact park where the wilderness scenes were filmed and the path in the film was based on paths he and his family hiked.
I found this film a pleasant surprise. I expected a sleepy hiking film and instead got amazing outdoor cinematography with a suspenseful/thriller. I love movies that juxtapose a good story with stellar visuals. I’m reminded of Fargo as an example. Frank Hall Green is already at work on other projects but I hope a lot of people get a chance to enjoy Wildlike. -
Life (2017)
Director Daniel Espinosa has given us a great space action horror flick. There’s a good lesson here too that we’ve seen before in movies like Jurassic Park: Don’t mess with nature.
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IMDB Rating: [imdblive:rating]It starts like any other space team film. You might even expect the label predictable. still, if you want a Big Mac, there’s nothing better to satisfy your hunger. People who liked Alien and Gravity will like this film. Scene for scene it’s a lot of the same stuff. Creature is brought aboard, impossible to kill. Yeah. There is an ending eerily similar to Gravity but I will spare you the twist.
FINAL THOUGHTS
This is a great ride. While parts seeem highly borrowed, I chose to enjoy it and let it rock me. I would have liked to have seen something more scientifically illuminating as the trailer and title alluded to. Still it’s a great thriller with horror elements that fans of these genres will enjoy. A lot of work clearly went into this. Too bad it’s a rehashed plot. Most people will enjoy it.
3/5
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Hugo
Article first published as Hugo on Blogcritics.
Sometimes a film comes along that I think of as perfect, not because it was made well or even acted well, but because it gave me a space in which to think clearly. These types don’t tell you what to think like so many modern ones try to. Hugo is about life and more specifically the role movies play in our lives.
When I first saw the previews for Hugo I thought it was a kid’s film about a rapscallion pre-teen who lived in a train station and called everyone “gov’na.” It isn’t that at all. Ben Kingsley’s character says when addressing his movie fans, “I address you all tonight as you truly are: wizards, mermaids, travelers, adventurers, and magicians. You are the true dreamers.” Are you one of those? If so, you’re who Hugo was made for.
Hugo is based on the bestselling book by Brian Selznick. It was produced by Johnny Depp and directed by Martin Scorcese. It’s about a 12-year-old named Hugo Cabret (Asa Butterfield) who lives in a huge clock in a train station. His father was a tinkerer and repairman who died in a museum fire. He left his son a broken automatron, a sort of 1930’s version of a robot, and Hugo is determined to get it working. He thinks there is a message in it from his dad. He meets Isabelle (Chloë Grace Moretz) a girl of his age who has a mysterious grandfather, Georges Méliès (Ben Kingsley). He has a toy stand in the station and seems to despise Hugo for some reason. He is unusually cruel.
There is also a ruthless inspector (Sacha Baron Cohen) with a Doberman and a leg brace who captures vagrants in the station. He sends them to jail or to the orphanage. He is a sort of lingering nemesis of Hugo throughout the movie, although he provides few scenes of subtle comic relief; I laughed out loud watching him try and pick up a woman.
The boy is on a quest to make the automatron work, and through the process learns a lot about the people in the station and Isabelle. There is a message here about the role of fantasy in our lives as well as the role of movies.
In conclusion, Hugo is a little slow in the beginning but the 1930s sets, costumes, and Parisian music makes the slow beginning worthwhile. When Hugo steals a croissant from a food cart you feel like you can taste it. The colors and attention to detail are so convincing, you feel like you are in the movie. The stalled action en principio is important in that it develops the characters. I really enjoyed Hugo. Once the ride began, I never wanted it to stop. If you want to go on a cinematic ride and be inspired, watching Hugo should be on your to-do list. I gave it 5/5 stars. Oh yeah, and if you love the history of movies, Martin Scorcese knows a thing or two about that! He certainly says it well in Hugo.
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