Blog

  • Trolls

    The Trolls in this film are not ugly like the dashboard ones of the 80’s. Instead they are endearing, cute, and presented in vibrant colors. The powerful colors reminded me of those in Cloudy With a Chance of Meatballs 2. Vibrant colors help to deliver a message of happiness and finding it in yourself and through love. This film can be enjoyed by anyone but those around the toddler age will certainly be playing over and over, singing and dancing to the music.

    trolls_image[imdblive:id(tt1679335)]

    [imdblive:title_nolink]
    Cast

    [imdblive:cast_nolink]

    Directed by

    [imdblive:directors_nolink]

    Written by

    [imdblive:writers_nolink]

    Other Info

    [imdblive:genres]
    [imdblive:certificate]
    [imdblive:date]
    [imdblive:runtime]min
    IMDB Rating: [imdblive:rating]

    If you get into upbeat music, you’ll like the movie. If you like cute animation with a decent story, you’ll love this film.

    The main idea of this film is that we all have happiness inside us. The ugly creatures have to eat Trolls in order to be happy and obviously, this doesn’t go well with them. Through a random course of events, the Trolls have to show the ugly creatures they can be happy on their own and in fact, the happiness was inside them all along.

    The music is powerful and makes this movie a better animation film than others. You have the music and voices of Justin Timberlake, Zoe Deschanel, Anna Kendrick, and more. Supporting the music is amazing animation in a colorful style we haven’t seen … ever before I think it’s safe to say. It’s a feast for the eyes and ears. The story is also very cute which makes it all the more suited for the younger ones.

    I’d recommend this film for everyone who likes the elements I have mentioned but especially kids ages 4-9. If you’re like me you may find you are a kid at heart because I really loved this film. Because it won’t be for everyone, it lost just 1/2 a star.

  • ‘Crawl or Die’ – Horror in the Pipeline with a Girl

    Horror, Sci-Fi, and Thriller never looked so good in a film. It’s been called “The Most Claustrophobic Film.” I would agree with that. For horror fans, those scares are met by the incredible performance of Nicole Alonso. The Director Oklahoma Ward has created a film that sends fear down your spine and makes it impossible to turn away. Several elements work well to make this a perfect indie horror film.

    crawlordie-poster

    Crawl or Die (2014)
    Cast

    Nicole Alonso, Torey Byrne, Tommy Ball

    Directed by

    Oklahoma Ward

    Written by

    Oklahoma Ward

    Other Info

    Horror, Sci-Fi, Thriller
    1hr 30min

    Just like rock and roll bands try to play what rocks, so horror directors try to know what scares. As long as I can remember people have said claustrophobia is one of the most universal fears. People don’t like being in an enclosed space. Crawl or Die plays on that fear and believe me, it scares!

    Furthermore, the fear of unknown creatures is another fear of many and Director Oklahoma Ward weaves a really scary creature into his film. These scary aspects combined with the extreme physicality of Nicole Alonso as “Tank” make Crawl or Die a horror, sci-fi, thrill ride of a film.

    A high level security force is chosen to transport the “package,” the last woman on earth that can become pregnant. The earth as we know it is gone and the continuance of humankind rests in the safe passage of this woman.

    While transferring this package, the team has to find its way through a labyrinth of pipes and tunnels. As if that wasn’t bad enough, there is a hungry creature that lives in the passages, coming to feed on them.

    *The rest of the review may contain minor spoilers

    The star of the movie is Tank (Nicole Alonso). She plays an angry, sexy, soldier role in the manner of Avatar‘s Trudy Chacón (Michelle Rodriguez), Colombiana‘s Cataleya (Zoe Saldana), Alien‘s Ripley (Sigourney Weaver), and the like. Alonso’s physical acting is extreme. You see her pulling her own weight to and fro inside the pipes with artistry and grace. She is fun to watch and definitely easy on the eyes. At the same time, there is a determination in her eyes that builds suspense and keeps you guessing about the horror that is right behind them all.

    creature-400

    The creature definitely adds to the terror. In the scenes where you expect the creature to appear, Oklahoma Ward (Director) has deftly added subsonic beats that are choreographed to stop. In some of the early scenes, it seems an eternity before the creature crumbles its spider-like leg through the dirt. This works perfectly to release the scares that are not always that scary. It’s more the waiting on bated breath that creates the horror. Having said that, there are plenty of scares that send chills down your spine. It’s refreshing and remarkable what Ward and Alonso did in this film with such a simple set and formula. This is definitely a movie-makers movie as well as a critic’s film. There is much to talk about. I know I’ll be looking for an interview with the makers soon.

    To expand on the “simple conventions” idea: I noticed the team used flashlights in an interesting way. They hung them on their boots as well as held them in their left hand while holding a gun in their right. I suppose when you are in a tunnel that’s getting smaller, you hold your light just about any way you can. The gun is a good thing too although it appeared that even an AK-47 assault type rifle cannot take out this monster. I’ve read online that this is to be the first film in a “Crawl or Die” trilogy. I will be eager to see how Ward uses more simplified effects to produce scares and suspense. As an independent film trying to use minimal budget and conventions to scare, I give this film a perfect score. I am a fan now and am looking forward to next one!

    You can follow what’s happening with the Crawl or Die trilogy here.

  • Cave of Forgotten Dreams (2011)

    Extremes in geology have always amazed me like how lava is melted rock. To watch a film about caves and paintings that are 32,000 years old, captivated me. Werner Herzog did an amazing job explaining and presenting these ghostly artifacts.


    https://podomatic.com/embed/html5/episode/8571350?autoplay=false
    “Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France and captures the oldest known pictorial creations of humanity.” -IMDB

    Cast

    Werner Herzog Himself/Narrator
    Jean Clottes Himself
    Julien Monney Himself
    Jean-Michel Geneste Himself

    Directed by

    Werner Herzog

    Written by

    Werner Herzog

    Other Info

    Documentary, History
    G
    Fri 25 Mar 2011 UTC
    IMDB Rating: 7.4

    Among other arcane effects in these drawings, the most alluring to me was the “animated” horse head. The cave person tried to make the animal appear as it does in life, moving.

    I think about the significance of the years gone by. We lie about 100 years in one lifetime. 32,000 divided by one lifetime then is 320 lives back to back, one death signaling a birth every 100 years and so on, 320 times. All those lifetimes ago, someone painted these cave walls. The film takes you into the caves and tells you haunting stories that summon images of people like us, living and creating art.

    An archaeologist explains in vivid detail the mental anguish he suffered being in the cave for weeks doing studies. It’s one of the most powerful moments in the film for me. I can almost feel what he’s talking about. Seeing what they painted without seeing them. He is, and so are we through the film, observing a way of life portrayed in images without having anyone connected with and living it to explain.

    If their way of life seems simple to us now, how will future generations view ours? In fact, will ours have any artifacts at all?

    This is an example of a perfectly done documentary film. I highly recommend it.

    10/10

  • The BFG (2016)

    This is a repost from last year, the BFG is now streaming on Netflix!

    With highly advertised Summer films like The Secret Life of Pets out this Summer of 2016, this film has a lot to stand up to. Fortunately for the giant, he is 26 feet tall so he can stand up to audiences with confidence. Some movies like The BFG should not be over analyzed but rather surrendered to. It has been engineered to take you away as if you were in a dream. Some of the finest names in movie making, including Spielberg as director, have joined forces to do that. Set controls for the heart of childhood, The Big Friendly Giant is here to sweep you away.

    bfgposter

    The BFG
    Cast

    Mark Rylance, Ruby Barnhill, Penelope Wilton

    Directed by

    Steven Spielberg

    Written by

    Melissa Mathison (screenplay), Roald Dahl (based on the book by)

    Other Info

    Adventure, Family, Fantasy
    Rated PG
    117min

    There are two main characters: Sophie (Ruby Barnhill) and the BFG (Big Friendly Giant – voiced by Mark Rylance). Both characters don’t quite fit into their respective worlds and find a special friendship with each other. There isn’t much by way of plot but that’s not a problem. The tenderness between BFG and Sophie is so powerfully developed and delivered, they can do anything and it’s engaging. Just watch them opening “dream jars,” for example. The plot is thickest when the other, larger giants threaten to eat Sophie. When that’s not happening, Sophie and BFG spend quality  time in “Giant Land.” At some point, they solicit the aid of a “head of state,” (I’ll call her that to not spoil the surprise of who she is) and the bad giants are dealt with.

    bfg1At one point, BFG tells Sophie giants have been walking about since the beginning of time. There is no growth or transformation in either character, it’s not that sort of film. We are meant to admire them like art hanging in a gallery. Along those lines, one should remember the book is by Roald Dahl, all his books are highly visual. You see a world that is a reflection upside down on a lake. You also see peoples’ dreams in little pixie sizes, squeaking. There are signature silly words here just like inWilly Wonka and the Chocolate Factory. In fact, when a rich human serves him toast and jam, he yells out, “Scrumtapdiliumpcious!”

    The main reason The BFG is effective and entertaining because it’s simplified. This is how it should be with a Spielberg film. He’s been making movies since the 1970’s and should know by now a few things that work. He leaves the worthless stuff out. Through the 2000’s his direction was hit and miss. I recall a couple real misses as examples: Cowboys and Aliens and Super 8. I went in to both expecting the caliber of E.T. and instead got uninteresting, worthless movies. Bbfg2ut after all the modern trial and error, it’s great to see him hit the bullseye again with The BFG. I want to recognize the screenwriter Melissa Mathison as I type my review. She has been a collaborator with Spielberg on several project including ET. She passed away tragically from cancer last year. She was only 65. By way of trivia, From 1983 to 2004, Mathison was married to Harrison Ford; they had two children together.

    In conclusion, this is the Summer of 2016, and as most movie viewers know there is some family film competition, including The Secret Life of Pets. While a CGI character, the BFG has a lot of personality in his face and body movements. Clearly byt looking at the actor, you can see they fashioned him after Mark Rylance. He’s well known for winning the Best Supporting Actor Oscar for his role as Rudolf Abel in Steven Spielberg’s Bridge of Spies. The casting of Rylance in the BFG was an excellent choice. To me, he IS BFG. While it is performing slowly at the moment at the box office, I truly hope a lot of people get a chance to see this film.

    Have you seen this film? Care to see it? Leave your thoughts about the film in the comments.

  • The Hunger Games

    I wrote this in 2012 when this film was relatively new. I repost it now as a bit of nostalgia.

    the-hunger-games-posterMore buzz is out on a famous bestselling book that was made into a major motion picture. Suzanne Collins’ The Hunger Games may end up rivaling Stephenie Meir’s Twilight Saga. It is expected to earn 250 million after this first weekend and by those terms it’s an indisputable success. It was directed by Gary Ross known for Pleasantville and Big. It stars Jennifer Lawrence as protagonist Katniss Everdeen and Josh Hutcherson as her love interest Peeta Mellark. There are a handful of other major actors which includes Woody Harrelson as Katniss’ coach, Haymitch Abernathy. When someone reads a book, she/he wants a personal experience. When someone watches a movie made from a book, it’s no guarantee they’ll have the same experience. My guess is the only people crying in the theater will be the ones who’ve read the book first.

    I’m in a position to make that statement because my wife and son who I saw the film with have both read the Hunger Games. As for me, I had very little exposure to the story and characters. I had seen Jennifer Lawrence in Winter’s Bone a few years back and really appreciated her talent in that. Otherwise, they were the experts on the Hunger Games and I saw it with ignorant eyes. I found it well crafted and suspenseful but for me it lacked the backstory and character development to really move my emotions. My wife and son had a different experience. They loved it on a visceral level and to quote my wife she, “got everything she wanted” from the film adaptation of the novel.

    The Hunger Games is a story about a government that places a select number of its citizens in a survivalist arena where only one emerges alive as the winner. They call this event the Hunger Games. It is meant both to punish the lower class for attempting to revolt and thereby entertain the wealthy, ruling class. Katniss volunteers to be in the bloody games in the place of her young sister who is selected by lottery. Once the players are selected, the majority of the movie consists of people killing each other off. The “players” hate the government and yet turn into murderers immediately upon beginning the games. There is a winner and after the win, the movie ends quite abruptly. Sequel anyone? Based on box office results, I think that’s inevitable.

    Jennifer Lawrence delivers an entrancing performance. I really “believed” she was Katniss in the Hunger Games due to her incredible acting. There is really only one other actor who delivers a strong performance, Woody Harrelson. As Katniss’ coach he has relatively less screen time. Still, we have his backstory: he won the games at one time so we know he has killed and lived to tell about it. The rest of the characters are extremely flat with, again, little or no backstory. I assume there is more character development in the novel but when you have that many people killing each other, it helps to know why they think the way they do.

    Are people truly that bent on living that they will kill to appease rulers and entertain the rich? I think these killings are rather gratuitous. There is one killing they did right: a little girl was killed, which was a horrendous act against a child. When her killer was taken out, someone in the audience cheered. I agreed with him. They gave a backstory, built up anger against a character’s actions and then killed her off. If all the killings were treated that way I would have liked it more. despite its shortcomings with me, The Hunger Games has wonderful cinematography and special effects. People who know the book well will probably like it more but most who haven’t will probably like this movie just for its action and fantasy.

  • Anne with an E (2017)

    A Netflix original series: This is more than Laura Ingalls Wilder’s vanilla adaptation by Michael Landon: Little House on the Prairie. It’s a clever, charming, witty, risk-taking adaptation of the beloved young girl novel Anne of Green Gables.

     

    Each episode on this Netflix original series has a new director. They have all dome noteworthy things. Niki Caro is known, for example, for the Zookeeper’s Wife. Helen Shaver has directed 2 episodes of 13 Reasons Why and an episode of Orphan Black. There are many other impressive accolades in the directors of the series.

    Amybeth McNulty plays Anne, a spindly legged freckle-faced waif with a mind of her own and a mouth that will not remain quiet. She is not as cute as the original series’ actress Megan Follows but she makes up for it in surprisingly good acting ability. She partakes very little in the culture of young women and instead portrays a lot of outrage and anger. Of curse, she’s funny too. In short, she’s a drama queen and I love it!

    The original actress was much more tame and subdued. She did the sewing and cooking and spoke out sometimes. This one lets you have it what she thinks in nearly every scene, but that’s a good thing! This will appeal to readers of the beloved books as well as girls in the tween to teenage years. It has humor adults will get, especially parents of teenagers. It’s a retro show and the costumes and props are very authentic. I enjoy watching the show as a laid back, low key yet entertaining tv series.

    FINAL THOUGHTS
    Young girls have had such a rough shake through history. For many centuries, all they could do was have the children and cook. I think it’s healthy for girls of today to watch the constraints on little girls and women in general and how Anne debunks all that. She’s an excellent role model for outspoken girls. The show may not be for everyone as it is a bit like Masterpiece Theater at times. People talk in a sort of Salem accent and sometimes the points being expressed are subtle and take time to reveal themselves. I personally enjoy and recommend this charming series, now streaming live on Netflix.

    8/10